Boston: Corporate America CD Track Listing

A list by checkmate

Boston Corporate America (2002)
Originally Released November 5, 2002\n\nAMG EXPERT REVIEW: For all the bad press heaped these days on vintage stadium rock, Boston's Artemis debut resonates with a crisp, fresh energy that's hard to find in the downscale aesthetic of post-punk. As Tom Scholz fans might expect, a metallic sheen gleams across the surface of each track, adding luster to resonant anthems like the politically correct title track as well as more intimate acoustic moments on "With You" and elsewhere. (The same sleek textures coat the album's one live track, a cover of "Livin' for You" that's marred only by the electronic snare drum, which sounds distressingly like the zap of a toy space gun.) Acoustic guitars glisten in fields of dewy reverb, while Scholz's electric leads and fills project a streamlined muscularity. The vocals, delivered by a rotating cast of guests, range from arena stratospherics to whispery folkisms; in the fashion of Phil Spector, Scholz is more concerned with blending them into his timbral landscape than with encouraging interpretive profundities. But that's fine, for Boston has always centered on one man's sonic fantasies, and for better or worse these are undimmed and as assertive as ever, even in the era of Corporate America. -- Robert L. Doerschuk\n\nAmazon.com Editorial Review\nThere's something very curious about Boston's fifth album--and the road the band has traveled from arena-rock heights to its current less-than-lofty status. Here, after all, is a band--really, guitarist-studio wunderkind Tom Scholz and company--that emerged from nowhere and set sales records with their 1976 self-titled debut. Since then, Boston's profile has shrunk with each successive, widely spaced release. Their first indie release may not be causing much of a stir, but it's a strange creation from Scholz and his crew, which includes Brad Delp, the voice behind "More Than a Feeling" and "Don't Look Back." Like the Boston of the '70s, this unit creates polished, epic-scaled rock. Scholz's inimitable icy, soaring leads and polished production (call it heavy steel) remain in the fore. But Scholz has a pretty serious agenda here. The CD jacket champions a vegetarian diet, animal rights, and environmentalism, while the title track is a screed against modern living, business misdeeds, and, well, "DVDs, SUVs, and cyberspace." Who'd have thought Boston would pick up the banner of Rage Against the Machine? --Steven Stolder \n\nAmazon.com Product Description\nBoston's first album of all-new material in 8 years, Corporate America has been described by Tom Scholz as 'a marriage of alternative influence with unmistakable, classic Boston style.' It features founding guitarist, keyboard player, songwriter, engineer, & producer Tom Scholz collaborating with original vocalist Brad Delp. They are joined by guitarist Gary Pihl (with Boston since 1986's Third Stage), & Fran Cosmo who contributed guitar & vocals (also with the band since Walk On in 1994). Newcomers to the line-up include his son Anthony Cosmo (guitar & songwriting) & Kimberley Dahme (bass, acoustic guitar, vocals & songwriting). Artemis Records. 2002. \n\nHalf.com Details \nProducer: Tom Scholz \nDistributor: Koch \n\nAlbum Notes\nBoston includes: Kimberley Dahme (vocals, acoustic guitar, bass); Brad Delp (vocals); Tom Scholz (guitar, keyboards); Fran Cosmo (guitar, background vocals); Gary Pihl, Anthony Cosmo (guitar).\n\nStudio guru and AOR purveyor Tom Scholz rolls out a Boston for 2002 with CORPORATE AMERICA. Ever oblivious of musical trends, the lineup is a hybrid of the '80s and '90s incarnations of the band. With the much-anticipated return of vocalist Brad Delp, one would think that this album would pick up where THIRD STAGE left off. Curiously, Scholz continues a pass-the-baton approach to lead vocals (as with 1994's WALK ON), including himself, Fran Cosmo, and new member Kimberly Dahme.\nThat being said, CORPORATE AMERICA has its moments. The production is all that Boston fans would expect; Rocktron fueled harmony guitars, combinations of both acoustic and triggered drums and of course, stacks of analog keyboards. Not surprisingly, the songs that feature Delp ("Didn't Mean To Fall In Love," "Someone") are the set's high points.\n\nAMAZON.COM CUSTOMER REVIEW\nA mixed bag, August 10, 2005\nReviewer: Darth Kommissar (Las Vegas, NV (USA))\nINTRODUCTION: \nIn the seventies, Boston was one of the most popular rock and roll groups around. When their 1976 debut was first released, it became a top seller and remained the best-selling debut album of all time for nearly a decade after! And then the band entered into a strange trend... taking EIGHT YEARS between albums. Tom Scholz, the band's guitar player, is infamous for being somewhat of a perfectionistic producer, hence the long waits. Between the release of the band's debut album and their 2002 effort, Corporate America, the group has only released five studio albums. The latter album introduced two new members into the Boston formation - Kimberly Dahme and Anthony Cosmo (the son of Fran Cosmo, who sang on the band's 1994 effort Walk On, who remains in the band.) Classic Boston singler Brad Delp also returns! So, how is the album. Keep reading if you want to find out. \n\nOVERVIEW/REVIEW: \nI'm used to waiting eight years between Boston albums, provided they satisfy me in the end. And I can safely say that this album, while good, was not worth the eight-year wait. If one word can describe this album, that word would be imbalanced. I've listened to a lot of imbalanced albums over the years, but this is arguably the most imbalanced album I have EVER heard. Don't get me wrong, it's good to diversify, but don't forget that a jack of all trades is a master of none. No album proves that like Corporate America. No two songs on this album sound alike, but in a way that's the problem with the album. If you were to listen to these songs without knowing they were from the same album/band, you'd have no idea they were. For instance, I Had A Good Time (the album's big hit) harkens back to the band's classic rock sound. Stare Out Your Window sounds like a modern-day pop-style hit. With You, the song with Kimberly Dahne singing, sounds NOTHING like Boston, but more like modern-day singer-songwriter pop music. Many songs also hint at an eighties power rock sound. None of these songs are particularly bad, but at the same time, none are particularly outstanding either. The band seems to have no sense of musical direction here. Is this a bad album? No. Is it a great, classic Boston album that was worth the eight-year wait so many long-time fans have grown used to? I'm afraid not. If you're a die-hard Boston fan you'll want to add this one to your collection. If you're anything less, pass it by. Oh, and don't get me started on how Tom Scholz bastardized the liner notes with all of his political beliefs.... \n\nEDITION NOTES: \nThere's only one edition of this album readily available in America, and it seems to have faded from store shelves due to the album not doing very well. Fortunately, because so many fans were disappointed with the album, plenty of copies are likely to turn up in the budget bins at used record stores. So it shouldn't be too hard to get used. \n\nOVERALL: \nThis is an imbalanced album, plain and simple. It's a good album, no questions asked, but defintely the weakest thing the Boston catalogue has to offer (the wrongfully-maligned Walk On, which didn't even have Brad Delp, kills this album dead.) The first three Boston albums are essential to any classic rock collection. Unfortunately, I can't say the same for Corporate America. If you're a die-hard fan who wants all of the band's output, then by all means purchase the album. If you're not, don't bother. Final verdict? Good but not great. Three out of five stars.\n\nAMAZON.COM CUSTOMER REVIEW\nAshamed to be from Mass!, June 1, 2005\nReviewer: Steve O. "S.O."\nWow...I am ashamed to say I live in the same state as Tom Scholtz! Tom lives in a fantasyworld where he believes everyone 'still' thinks he remains Boston's legacy. Years ago he was hailed as a young genius and the driving force behind this band. But no more. Tom has become an unimportant figure. Brad Delp is the only reason I gave this album a chance...and Brad Delp is the only glimmer of hope on this, otherwise, disappointing piece of music. I Had A Good Time and the other songs that Brad sings on are the only things worth listening to on this album. Forget the rest. Scholtz apparently does not care what his future musical legacy will be. I have news for him....he has no legacy. Brad Delp has become the figurehead, the draw, the symbol of this band. Brad Delp merits our respect. (And Brad is a humble and genuinely good man to boot.) Tom can prance around on stage and think he's 'the man' in front of all the old codgers and zombies who do not know any better....but true-longtime Boston fans know the real deal..it's sad. Very sad. \n\nPS) This is not a slam at the other members of the band.. the Cosmo's, K. Dahme etc. are extremely talented individuals who would do a wonderful job in the proper setting. Not this one however. This is supposed to be "Boston". Tom should've called it something else...like the Dave Clark Five or something....oops, sorry that name has already been used! Ah, call it Downer's Revenge or something....wink wink. \n\nAMAZON.COM CUSTOMER REVIEW\nTom Scholtz ignores his musical instincts, October 4, 2004\nReviewer: Gregory S. Standard (Manassas, Va United States)\nWhy is it that after almost thirty years of being a stubborn, non-inclusive musical dictator, whose uncompromising pursuit of unique harmony and melody resulted in two masterpieces, Scholtz has suddenly decided to be a team player? Moreover, a team player that has given up way too much creative control (or lost control). There is exactly ONE song on this CD that sounds like a natural, modern progression of the Boston sound: I Had a Good Time. The rest of the CD is someone else's music. \n\nUnderneath all of the miscellaneous goop on the CD is the real Tom Scholtz trying to be heard. Maybe he has been taken hostage? Or maybe he has been drugged and brain-washed? Or maybe......just maybe....he actually NEEDS THE REST OF THE ORIGINAL BAND !!!! \n\nNow, don't get me wrong. I have a great deal of respect for Scholtz's past achievements. It is his original technical manipulation of sound and his musical formula that made most of us Boston fans for life. However, if Scholtz is going to totally ignore these two important and defining elements, then he has placed himself back into the ranks of the average and the un-noticeable. A conductor isn't worth much without his orchestra, and let's face it: Tom has driven off most of his orchestra over the years. Maybe he should have given the original members of Boston as much creative input as he has with his current group of employees. \n\nI read a recent interview in which Scholtz stated that he really fought the instinct to create songs in the same way as he did in the past. BAD IDEA ! Tom, GO WITH YOUR INSTINCTS ! \n\nI'll bet if Barry Goudreau was involved today, many of us wouldn't be bad mouthing the last two Boston projects. In fact, people think Tom was the mastermind behind the first two albums. However, the Don't Look Back album contains more Goudreau influence than Scholtz. Scholtz himself gives credit to Barry for coming up with the intros and leads for Don't Look Back and Long Time (two of my favorite Boston songs). \n\nOf course, Boston wouldn't even be an entity today if not for the continued presence of Brad Delp (no matter how subdued his role has become). I went to a Corporate America concert two years ago, and I can assure you it wasn't to hear Corporate America. I wanted to hear old Boston tunes played by Scholtz and sung by Delp. \n\nBottom line, repair some broken bridges, Tom, and make a REAL MODERN VERSION OF A BOSTON CD. For examples of how to do this, listen to Barry Goudreau / Brad Delp albums from the past : RTZ, Orion The Hunter, Barry Goudreau's solo album. \n\nPlease, Tom, STOP THE MADNESS !! We are all getting too old to wait for the real deal. Poor sales are a result of a disappointed fan base consisting of older / wiser adults, not bad marketing. \n\nP.S. GIVE BARRY GOUDREAU A CALL OR DROP HIM AN E-MAIL AT WWW.BARRYGOUDREAU.COM \n\nP.P.S Stop trying to phase out Brad. He's all that remains between you and obscurity.\n\nAMAZON.COM CUSTOMER REVIEW\nHated it at first, but then realized its not terrible., July 1, 2004\nReviewer: A music fan\nWhen you expect something close to the the first three records, you initially say to yourself this cd sounds like Jefferson Airplane's song "We built this city bla bla crap". I also hear remnants of Queen chorus lines, etc. But after a couple of listenings, Boston can be heard in there somewhere. So its a hit and miss. Some songs are good and some are bad, but I agree with another critic who said there is alot of crap out there, this is above the heap of crap. This cd is light listening for the summer time. If your a Boston fan, skip the political messages and try to just enjoy.\n\nAMAZON.COM CUSTOMER REVIEW\nCorporate America - A Review by D.V. Nobles, December 27, 2003\nReviewer: Daniel V. Nobles (Gainesville, FL United States)\nMy first impression of this album is that they have sold out and tried to be pop. I was halfway though the 4th track when I realized that I was listening to a country track sung by a women. That's how much I had lost interest in it.\nSo now I've listened to it a few times over to try to get an objective point of view and here it is....\n\nI can understand a group's evolution in changing direction because "that is the music we made back then and this is the music we like to do now". Genesis went through it, lost a lot of fans and gained others. Still I think you have to be somewhat true to your style and this album takes off on like a 90 degree tangent. At times, the music and singing sound very much like the pop group "Oasis". The group is still pushing vegetarianism and still proclaiming silly things like "that siren sound WASN'T a synthesizer, it was a modified Hammond B3" and at that I'm still wondering what their point is because synths seem to be used fairly heavy on this album. I could really care less if that rocket ship sound was a Marshall amp with a bad transistor or those "violins" were FX guitars. At the end of the day, you are still SYNTHESIZING a sound, so why not use a keyboard instead of busting your brand new Marshall amp you got for Christmas! Anyway....\n\nThe good news, Brad Delp is back for some vocals. The bad news is there are no tracks to let his voice shine. His voice still seems to be there as it comes out momentarily in a few key moments, but those are sadly few and far between.\n\nThe trademark Boston guitar sound is still there, but instead of in the forefront, they now seem to be overshadowed with popish tunes and lyrics. Unfortunately, the band doesn't have much to say anymore. Everything they want to say is on the album jacket: "conserve fuel, avoid waste, learn about vegetarian living, avoid animal products, shoot with cameras, not guns; vote for environmental candidates, report child abuse and animal abuse, don't buy fur!" I don't think they left anything out. Oh wait...where are those rocking Boston tunes???\n\n1. "I had a good time" - A nice pop tune. Brad Delp sang on this one. I really had to check and see if I bought the right CD.\n\n2. "Stare out Your Window" - Another semi-pop tune and pointless kiddy lyrics\n\n3. "Corporate America" - Really the only rocking tune on the CD. It only has fire because it coincides with the aforementioned album jacket statements. The synths are all here and the Scholz man himself is playing them, so why all the...oh never mind.\n\n4. "With You" - Written and sung by new edition Kimberley Dahme. Not a bad tune at all, but not a Boston tune. If Scholz left out his brief, heavy-handed guitar solo then it wouldn't have surprised me if this would have made the country charts.\n\n5. "Someone" - Another pop tune with Brad Delp on vocals.\n\n6. "Turn it off" - A rocking tune, but not in the Boston style\n\n7. "Cryin'" - I guess it wasn't too memorable\n\n8. "Didn't Mean to Fall in Love" - Semi-popish tune almost Boston like. Brad Delp on vocals\n\n9. "You gave up on love" - Not a bad tune and one of the pleasant surprises is Tom Scholz on vocals and doesn't do a bad job. In fact, maybe Tom Scholz's vocal presence on some of the tracks are the reasons for their "popish" sound...if they had to be sung in his range...well, maybe, but that doesn't explain some of the writing.\n\n10. "Livin' for You" - Hey, wait a minute, wasn't this on the LAST album? Yes, it was. Ok, it is a live version. Yes, it was a killer tune and nice to have a live version, but c'mon guys. This time NINE years between CD's and you're going to put a live cover on the 10th track??? I'm not sure that it's really corporate America that is screwing us.\n\nAnd that is that... I hate to be so down on this album, but I am because they call it "Boston". If they called it "Tom Scholz and his egg-sucking dog" I would be cool with it. As it is I can listen to it and pretend it is some other group. The tracks are fine, but Boston it is not. I won't be buying another one if they decide to make one in another 10 years...and you guys know how loyal I am to a few select bands. I understand things change, but you can only jump so far ahead into a movie without seeing the scenes in between before you have completely lost me.\n\n-- D.V. Nobles (long time Boston fan)\n\nAMAZON.COM CUSTOMER REVIEW\n"Not bad" is not good enough, November 5, 2003\nReviewer: "dlcle" (MADRID Spain)\nOK, first and foremost this is not a bad album. It's pretty decently written, melodic, sometimes energetic power pop (or softside of hard rock), but when reviewing it, we should never forget that this is Boston/Tom Scholz, one of the most underrated geniuses of popular music, and responsible for some of the most imaginative, intricate, beautifully crafted, detailed and exquisite mainstream rock music of the last fourty years.\nSo if the label said Corporate America,the new XXXX album, all would be acceptable, even alright. But being Boston, it's intolerable. Why on Earth did Tom have to copy Oasis of all bands in the utterly insignificant Cryin'? Why did he have to bow to market trends he never followed? Surely not for commercial reasons (the album, being released on a small label was destined to small sales figures from the start).\n\nThe worst of all is that this sounds rushed,unfinished, disjointed and bland. I don't mind an experimentation here and there, but this album lacks any cohesiveness in it. It's like a compilation of different styled singers and writers with the same backing band. Furthermore, considering it took him seven years to complete, makes this even less palatable. What happened to the melodies? They're forgettable, reheated versions of either older Boston songs or, even worse, other people's stuff. \n\nWhat happened to the production? Who on Earth allowed Tom to use those dreadful drum hi-hat sounds yet again? Why does a Boston album sound as if it was played by one guitarist and a bass player with a machine drum? Where are the cathedral orchestrations and attention to arrangement detail?\n\nIn previous times we have seen Tom hit and sometimes miss but always with the saving excuse of his perfectionism and craftmanship, because one could feel the gargantual effort and monumental work devoted to each note, each sound. This is not an album that took so many years to record, as Third Stage or even Walk On proved with their multitude of angles and musical corners... This is an album that might have taken years "to release", but sounds as if it was written, recorded, and (worst of all) produced and engineered in Ramones-like time... which would have been nothing negative (I value the Ramones a lot) if it sounded fresh, innovative and raw. But instead it sounds bland and undistinguisable from any one of the hundreds of substandard low-key melodic rock releases plaguing record shops worldwide. \n\nRedeeming features: The marvelous I Had A Good Time, and You Gave Up On Love, worth at least a listen. Wait for the next one.\n\nAMAZON.COM CUSTOMER REVIEW\n[...] in the rawest of forms, June 23, 2003\nReviewer: D. Vishnesky "ec_anarchy" (Chicago)\nYou can't buy this album as a Boston album: The music, the style, and the artists are much different than ever before. If you are ok with that, that's the good news. The bad news is this particular performance isn't even another band's mediocre effort. The disc is simply not worth purchasing unless you are among the wealthiest 1% of Americans. Even then, I defy you to play it more than once.\nIt's fine for Tom Scholz, the founder of Boston, to carry the band to a different time with a new sound and exploring new genres, including hip hop, electronica, new alternative, and country. It's fine that he wants to express his political views. It's fine that he wants to use a drum machine and an assortment of singers. All these things are done by lesser bands and in a manner worthy of critical acclaim. \n\nHowever, he does all those things, and more, without a single benefit of the former "Boston" incarnations other than his guitar and the logo. Every other possible benefit he could have gained from being a member of Boston was lost on agendas and personal issues. It would have been a nice gesture to put a disclaimer on the package. "If you liked Boston circa 1976, you'll probably throw this out." Or perhaps "Written and organized by the Sierra Club with help from Lilith Fair". What about "Includes no hit songs!" My personal favorite would have been "Music inspired by nothing whatsoever". The album is [...] in the rawest of forms: A simple digestive result of the last ten years of musical expression with only a hint of what the band had for breakfast in '76.\n\nSome will say the album grows on you after a few weeks. If you like listening to things that have to grow on you, fine. For my dollar, there is a lot of new music out there that does not have to grow on me. Despite the claim, its not catching on with many of us, either. Don't torture yourself. If you feel the need to move on pick up a new artist's cd and give it a try.\n\nOther will say that the album is great because it has a few great tunes. Again, if you like spending money on albums with two or three tracks that you enjoy, don't let me stand in the way. For my money, there are a lot of new albums with four, five, or ten solid tracks. "corporate america" isn't one of them. So why are people spending money on it? Don't put yourself among them. Listen to the sample tracks and just "walk on".\n\nThis is not the worst album on the market, but its certainly not worth your money. If you want to help the environment, send your money to the environmental organizations themselves, not the egomaniac who had the gall to include former bandmembers in the liner notes to accelerate sales while handing the songwriting to a kid and the mic to a Jewel groupie. \n\nAMAZON.COM CUSTOMER REVIEW\nYoko must be proud, December 30, 2002\nReviewer: "gargarney" (Murray, KY United States)\nWayne Woodall's review of this album had a great comment: "I don't know who's girlfriend this Kimberly Dahme girl is, but she's got to go." This was exactly my thought when I first listened to this album. I look at the band photos in the liner notes and see Spinal Tap in those "spirit guide" outfits the girlfriend designed.\nAnd all the vegetarian/environmentalist/anti-capitalism crap has to go, too. Why do stars keep thinking we care what they think? We buy because we care how they sound. I'll be careful to snag an MP3 or two of the next Boston release before plunking down my cash.\n\nAMAZON.COM CUSTOMER REVIEW\nDON'T WASTE YOUR TIME WITH THIS ONE, December 12, 2002\nReviewer: Bill Moore (New Jersey)\nStill residing in my "top 10 favorite records of all time" is Boston's first album, Boston. The multi-million selling record is a favorite amongst many of my generation - great tunes, incredible vocals and harmonies, and a scorching guitar sound like no other band then or since. It's one of those records you'd want in that scenario "If you were stranded on a deserted island, and could only have one CD, what would it be?" Ever since, I've been waiting for Boston to release another record of that caliber. They came close with the follow up Don't Look Back, but have been hardpressed to hit the mark since. That trend continues, sadly, with Corporate America - probably the worst Boston record released to date. This new record is a complete hodge podge of unfocused, pointless, unrelated music that is uninteresting, too slow and even lacks the familiar Boston sound, in many places. \nEight years since the release of their last record Walk On (another stinker), Corporate America offers ten tracks. Two songs, "Someone" and "Turn it Off", have been available as downloadable MP3s for over three years now - Boston fans most likely have these tracks on their computers already. The forgettable tune "Livin' For You", is a live version of the same track that already appears on Walk On - why it reappears here, makes no sense. So, technically, there are only 7 "new" tunes for Boston fans to latch on to. Of these, "I Had A Good Time", "Corporate America" and "Didn't Mean to Fall In Love" are about the only decent songs that still retain a bit of the Boston magic. And even these are mediocre, at best. The balance of songs are a weird mix of folk, soft rock and easy-listening music that don't sound like Boston at all. Brad Delp, who at one time did all the lead and backup vocal work for Boston, helms lead vocals on only three songs and provides backup harmonies - which still sound incredibly great after all this time - on several others. Handling vocals in his place on the other tracks are Fran Cosmo and new comer Kimberley Dahme. Dahme wrote the song "With You" which is horrible - doesn't even count as a Boston song. You listen to this song and ask yourself, "What the hell is going on here?" And why Boston needs three lead vocalists, is beyond me. In addition, each song has this bizarre group of musicians playing on it - some are old band members, some new band members, some non-band members. This all gives the listener the impression that there are several bands playing on this record - nothing is unified and its all very confusing. Regrettably missing from this effort (if you call this record an effort) is a classic organ/instrumental tune, a la "Foreplay" or "The Journey". Also missing, is just one down and dirty, foot stomping, hard driving tune like "Smokin"? or an ass-kickin' guitar-riff laden rock song like "Long Time" or even "Party". I am willing to bet none of this record will ever be heard in rotation on radio stations nationwide. It's a huge letdown for long time fans like myself and overall a major disappointment considering how long Boston fans have been waiting for new material.\n\nTom Sholtz needs to go back to the early days, bring back Barry Goudreau, Fran Sheehan and Sib Hashian and rekindle the creative magic that once was truly Boston. In its current incarnation, Boston just doesnt live up to its reputation.\n\nI bought three copies of Corporate America - one for myself and two others to give as Christmas presents to two other long time fans of Boston. This weekend, I will be returning the two unopened copies. Corporate America is no "gift" for anyone - its an exercise in pain and frustration. If this review doesnt convince you, dont waste your money on the CD yet. I'll be putting my opened copy up on Ebay soon - you can buy it from me for less than I paid at retail. Tom, you've let me down yet again.\n\nAMAZON.COM CUSTOMER REVIEW\nSomebody buy these guys some cheeseburgers!, November 10, 2002\nReviewer: LS (Altamonte Springs, FL United States)\nFirst of all, I didn't see a "0 stars" rating or I would have chosen it. Now.....Does vegetarianism make people lose their minds??? Brad, can't you do something about Tom??? Have him declared incompetent or something so you can write the checks and give the orders???? This is insane. Corporate America is the worst album of ALL TIME! It sounds like a bad "Everything But the Girl" Album. I have Boston picture disks hanging up in my home studio and now every time I look at them I get a tear in my eye because I know now that Boston is gone - to the ...! What's up with Yoko Ono???? If she were a true Boston fan she would have declined the offer and said, "Tom, why don't you put down the herb and call Barry, Sib and Fran (not you Cosmo) and use that famous old Blues Brothers line "I'm puttin' the band back together"" (you know.....the one people liked???). Brad, I know you're not responsible for this so I'll forgive you. Tom is burying your talent by holding the Boston name hostage. Get out before it's too late brother! Singin' Beatles tunes in the bars is more respectable than playing second fiddle in Tom's Boston.... that's it, can we rename the last 2 albums Tom's Boston??? Sort of a disclaimer???
This blues cd contains 10 tracks and runs 44min 36sec.
Freedb: 850a720a

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