Eric Clapton: 461 Ocean Boulevard CD Track Listing

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Eric Clapton 461 Ocean Boulevard (1974)
461 Ocean Boulevard (Deluxe Edition) - Disc 1 of 2\n2004 PolydorUK Ltd\n\n2004 Polydor Ltd. (UKeased August 20, 1996\nDTS CD Edition Released November 25, 1997\nHybrid SACD Edition Released ic Clapton's 461 Ocean Boulevard -- long considered one of Clapton's best solo albums, ranking nted by five session outtakes on the first disc, all of which have been previously released on Bottom)" appeared on 1999's Blues and the other two tracks, "Eric After Hours Blues" and "B Min lazy and meandering to make a finished album,but fanatics will surely like all of these outtak London on December 4 and 5, 1974. Here, Clapton also sounds a little bit too laid back, particns, but that's who the reissue is for, and they'll likely be satisfied with this nicely remaste's second solo studio album, arriving after his side project of Derek andthe Dominos and a longy, and R&B amalgam of Eric Clapton. However, 461 Ocean Boulevard is a tighter, more focused out don't detract from the rootsy origins of the material, whether it's Johnny Otis' "Willie and ted, friendly atmosphere and strong bluesy roots, 461 Ocean Boulevard set the template for Claptus tracks "Walkin' Down the Road," "Ain't That Lovin' You" and "Meet Me (Down at the Bottom)."]t remembered for its hit version of Bob Marley's "I Shot the Sheriff"--perhaps the first time m "Give Me Strength" and the pleading "Let It Grow." Clapton maintains his grounding in the blue the HandJive"; and turns the standard "Motherless Children" into a showcase of snarling guitaris was Clapton's comeback record after a long bout with heroin addiction. Up through 1970 or so 461. He seems relieved just to be alive. It's a low-key affair, and that suits him. Some ofhisnal blues he ever made. --Steve Tignor \n\nAmazon.com Customer Review\nEC's Best Solo Album Get's best solo album. I will readily admit I'mnot such a big fan of the more recent blues albums grown from the original 40 min. album to an exquisite2CD spread (26 tracks, 142 min.), and quited sound is fantastic. It has of course the hits "I Shot the Sheriff", "Willie and the Hand JivCan'tHold Out", and the album closer "Mainline Florida". The 5 bonus tracks are session out-taktime. My faveof them is "Meet Me (At the Bottom)", a mostly instrumental jam session. CD2 (11 ten, this is it, the last show of the tour, please welcome Mr. Eric Clapton and his band!", we'rWinwood cover "Can't Find My WayHome", a rousing "Tell the Truth", the Jimi Hendrickx cover "Libut that aside, everything is an A+ on this "Deluxe Edition". Let me emphasize that this is notcommended! \n\nAmazon.com Customer Review\nEric Clapton's best 70s album hasn't gotten any bettdisc is quite good without being truly spectacular.\nBut the five studio outtakes don't do anytes, songs that didn't make the cut, and they sound like outtakes. Even Clapton's rendition of J in London onDecember 4th and 5th, 1974. Again, he often sounds a little bit too laid back, lik", and the always good "Let It Grow". Nothing to make you throw away your copy of "Eric Claptonre so-so. The original LP was better, actually...all this second-rate material only serves to ooore" (Seattle, WA USA) \nThe SACD version of "461 Ocean Boulevard" does sound much better than itself is inconsistent. It seems like they were going for an immersive sound stage, but the res, with even the main drum track in the surrounds too. Thenin the middle of the song the surrouWillie and the Hand Jive' and 'Let it Grow,' but everything else in between sounds uninspired.\nhoved together in the front channels with the surrounds being an afterthought.\n\nThe extra trae disc from a surround presentation standpoint. \n\nAmazon.com Customer Review\nUneven Pavementded by a couple of hit singles --and, apparently, Clapton's guitar-hero halo, which prevented uand the Hand Jive, I Shot the Sheriff) arerun through the de-flavorizer. Clapton's singing sounnts are the back-to-back ballads, Please be With Me& Let it Grow. Dated and sentimental, perhapcom Customer Review\nEC Hits His Solo Stride, August 8, 2002\nReviewer: the dirty mac "boot64" VARD lacks Layla's smoldering extended jamming, striking a more upbeat,restrained, and radio-fre with Me" and the achingly beautiful "Let It Grow," which shows what an underappreciated songw and Robert Johnson's "Steady Rollin' Man." Years before the Police came along, Eric brought released on vinyl in 1974, the album's second song was a Clapton original called "Better Make It lbum's success, and its absence is awfully conspicuous. The back cover of the vinyl version of the album was recorded at Criteria Studios in Miami.Clapton's 1975 follow-up, THERE'S ONE IN Es it was never supposed to appear on 461 OCEAN BOULEVARD, but people are right to complain abouretty damn good.\n\nAmazon.com Customer Review\nOne Star for the remastered version only, Aprilly Clapton's finest solo work (if you count Derek and the Dominoes as a group effort, and it shn you imagine ABBEY ROAD without "Here Comes the Sun?" Or BEGGAR'S BANQUET without "Salt of theection of songs. Now it is just a collection. I don't know how to react to this kind of corpora. DON'T BUY THIS VERSION.\n\nAmazon.com Customer Review (DTS Version)\nAn Audio Mix Disaster, J works, but do yourself a favor and purchase the regular compact disk. After purchasing this DTback for a refund), but they should have been given the janitorial tasks at the company, not atrsburg, FL United States)\nJust got this one in the mail. Does anybody know who decided to replD? The MFSL version does include both. For me it lessons a great album. The remastering sounds ere is still an urgency Clapton's playing here that makes it more than worthwhile. OK, I give iEngineer: Karl Richardson\nGuest Artists: Yvonne Elliman\n\nIncludes a bonus disc Live At Hammealuten (piano, electric piano, clavichord, synthesizer); Dick Simms (organ); Carl Riddle (bass venson.\nLiner Note Author: Scott Schinder.\n\nRecording information: Criteria Recording Studiond Pete Townshend, Eric Clapton returned to Florida's Criteria Recording Studio to cut 461 OCEAe group of musicians including George Terry, former Derek & the Dominos bassist Carl Radle, Jamics of the past, the new, improved Clapton used a laid-back, J.J. Cale-type vocal style to greao showed considerable spark on a slide-drenched "Motherless Children" and the driving "Mainlinecharts and let the general public knowhe was back. 461 OCEAN BOULEVARD is still one of the highar hero and opened a new one as a hitmaker with a more relaxed and commercial style..."\n\nMojored the primacy of music in his life. The result was a joyous collection..."
This blues cd contains 15 tracks and runs 69min 2sec.
Freedb: dc102c0f

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