Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser): An Introduction to Vivaldi The Four Seasons CD2 CD Track Listing

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Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) An Introduction to Vivaldi The Four Seasons CD2 (2001)
This classical cd contains 51 tracks and runs 54min 23sec.
Freedb: d10cbd33

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  1. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Repetitiousness and folk music; the movement's opening (01:17)
  2. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Secondary theme, a closely related development of the first (00:28)
  3. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Solo entry restates the opening theme, 'double-stopping' (01:05)
  4. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Upexpectedly, a new theme where a repeat might be expected (00:36)
  5. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - The soloist as 'drunkard' (00:45)
  6. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Further violinistic slips and slides (00:15)
  7. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Orchestra re-enters with main theme, but is interrupted by the drunkard (00:18)
  8. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Other drunks join in 'dialogue' with the orchestra (01:01)
  9. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - The orchestral peasants continue their dancing, but things have changed (00:57)
  10. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Enter another drunk, courtesy of the virtuoso soloist (00:40)
  11. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - The dance breaks up (00:38)
  12. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - The drunkard interrupts again, then falls asleep, breathing heavily (00:56)
  13. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Conversation amongst the sober peasants leads to their final dance (00:24)
  14. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - First Movement (complete) (04:46)
  15. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Scene-setting for Second Movement (01:08)
  16. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Second Movement (complete) (02:45)
  17. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Similarities between the Third Movement and the First (01:06)
  18. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Expectation and surprise: Vivaldi tacks on one bar too many (00:27)
  19. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - A case of predictable unpredicability: novelty and repetition (00:36)
  20. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Soloist's double-stopping depicts hunting horns (00:34)
  21. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Orchestra yields to unexpected display of virtuosity by soloist (00:38)
  22. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Soloist suddenly takes the part of the fleeing beast (00:25)
  23. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Symmetrical parallels with First Movement: 'beast'/'drunkard' etc. (00:47)
  24. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Death fo the quarry, end of the movement (00:17)
  25. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Third Movement (complete) (03:13)
  26. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Orchestral strings enter, part by part; soloist depicts the biting wind (01:24)
  27. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Wind subsides and returns, tormenting the trudgers through the snow (00:53)
  28. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Soloist depicts snow flurries (00:27)
  29. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Soloist's flurries interrupted by six blasts fo orchestral wind (00:32)
  30. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Teeth chattering, and with stamping feet, the travellers finally reach their goal (01:54)
  31. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Cue to First Movement as a whole (00:11)
  32. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - First Movement (complete) (03:24)
  33. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Soloist's 'aria' accompanied by pizzicato 'raindrops' (00:37)
  34. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - A sequence of simple scales, accompanied by opening rhythm (00:33)
  35. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Two scalewise ideas for the price of one: foreground and background (00:52)
  36. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - New, rising scale-pattern unfurled with ever-greater breadth (00:36)
  37. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - The pace increases eight-fold in concluding downwards scale (00:36)
  38. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Against an unvaryiing tempo, the pace is repeatedly varied (01:03)
  39. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Foreground/Background (00:34)
  40. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Detailed discussion of foreground/background perceptions; analogies with speech (02:14)
  41. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Second Movement (complete) (02:19)
  42. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Scene-setting; soloist beings for the first time (00:47)
  43. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Soloist rises progressively, in sequence, decoratively outlining chord of the home key (00:26)
  44. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - First orchestral section; pace is halved; the undermining onset of chromaticism (00:47)
  45. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - The walkers lose their balance and stylishly fall down (00:22)
  46. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Soloist returns as the original solitary walker and strides away from the others (00:23)
  47. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - One tempo, two rates of speed: fast for the soloist, slow for the orchestra (01:51)
  48. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Orchestra evokes the warm winds of the Sirocco (00:36)
  49. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Answering blast from the Borea, the cold wind of the north; struggle for supremacy (01:07)
  50. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Cue to final movement (00:23)
  51. Vivaldi, Siepmann (Nishizaki, Capella Istropolitana, Gunzenhauser) - Third Movement (complete) (03:08)


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