Mark Knopfler: Kill To Get Crimson CD Track Listing

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Mark Knopfler Kill To Get Crimson (2007)
Originally Released September 18, 2007 \n\nAMG EXPERT REVIEW: Given that Kill to Get Crimson fmented on the live set Real Live Roadrunning -- it might be reasonable to presume that it bearsmey carnivalesque lilt to its middle section and "Secondary Waltz" is simple, low-key two-step "Let It All Go" (the song that bears the lyric that lends the album the title) is a minor key d a Dire Straits album, and that's hardly the only time either Knopfler's old band or his solo wom Knopfler, one that resides comfortably in his mellow Americana niche, where country, blues, r has, maybe even a little easier than usual, but the big difference here is although mood is klbum is heard closely, which is something Knopfler's dedicated cult will surely do, but less den.com Editorial Review\nThree decades after Dire Straits broke onto the scene with their remarkty to create distinct characters and themes in his songs. His fifth solo album since he pulled ife" to the valiant down-and-outer in the Scottish folk song "Heart Full of Holes." Employing aalong "Secondary Waltz," the busker's saga "Madame Geneva's," and "The Fish and the Bird," withvery personification crisp in definition, every story exquisitely told. --Scott Holter \n\nAmazStraits album to date Top 20 Pop, scanning 400,000 copies in the U.S. acclaimed singer-songwritwill also entice new fans to Knopfler's signature sound (he's #27 on Rolling Stone's 100 GreateKnopfler remains one of rock's most admired artists. \n\n\nAMAZON.COM CUSTOMER REVIEW\nPunish Te star evaluation; it's the first time I have awarded anything by Mark Knopfler less than five e last couple of weeks, and it has largely failed to grow on me with a few exceptions. \n\nThermble setting (although I love the Stratocaster, too, of course!) but my problem with this releas within a given album; here the songs are simultaneously excellent, yet predictable. With the t, but some of the album is just...well, boring. While any given song can stand by itself, as a collection. The second half of the CD is more interesting. I like the corporate intrigue that g about two star-crossed lovers who could never be together even though it creates lifelong paiam reluctant to give any Mark Knopfler CD three stars, I still recommend the album to fans, parrely revisit it on occasion, and will certainly see him on the tour that supports the CD releas Ragpicker's Dream. From that point on he no longer felt obligated to include the mandatory upbhe sound is really warm and Mark Knopfler's signature guitar is still very much present. \n\nKiheres. Some of the arrangements found on Kill to Get Crimson are surprisingly edgy. \n\nGet Spry his most introspective effort. Not the most upbeat set of songs but simply stunning. And finater storyteller, October 2, 2007 \nBy Flight Risk (The Gypsy Moth) "Exiled Yankee" (usa)\nThis There seems to be little middle ground here; there are those who bewail the fact that this albim into musical oldsterism - are charmed by his ever-more-prevalent folksy leanings. It isn't tto be, rather, that he is more interested in exploring the essential roots. He's classed himseltattoo artist (he got the idea from a book called The Electric Michelangelo - a good read, by td with longing, the vocal equivalent of a fine red wine. The music is gentle, never overbearingword-picture. Further in, "Heart Full Of Holes" - my favourite - is another haunting tale which out fleetingly and elusively through the words he speaks. \n\nMark Knopfler is a master at rep the fire at night to hear his magical tales. This is that picture. Mark is no longer just to bershadowed the words. Now he is in partnership with his guitar, a meeting of equals, old friendst guarantee you that if you have always appreciated his music in the past, this is an album yoOMER REVIEW\nAnother Solid Effort, But ..., September 25, 2007 \nBy ViceroyCM (Washington, DC e characteristic Knopfler touch: good storytelling, good sideman, and crackerjack guitar playinustic--anywhere on "Crimson." Evidently Mark is saving the finger-flying fun for his concerts. s Dream" so unforgettable. Whatever it was--melodies, solos, verve, or simple joie de vivre--thwonder if I was listening to outtakes of Leon Redbone or (I know, it's sacrilege) Richard Thomp magic. "True Love Will Never Fade," "Punish the Monkey," "Let It All Go," and "Madame Geneva'shink you're a monumental talent, but next time, could you please step it up a bit? \n\n\nHalf.cStraits in the mid 1990s, continues the trend of his solo work back to the sound and feel of thpecializing in well-constructed epic pop-rock tunes, KILL TO GET CRIMSON suggests that Knopfler English, and Irish folk forms, as on the ballads "The Scaffolder's Wife" and "The Fish and theof vintage British folk-rock.
This data cd contains 12 tracks and runs 57min 3sec.
Freedb: 9e0d5d0c

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  1. Mark Knopfler - True Love Will Never Find (04:21)
  2. Mark Knopfler - The Scaffolder's Wife (03:52)
  3. Mark Knopfler - The Fizzy And The Still (04:07)
  4. Mark Knopfler - Heart Full Of Holes (06:36)
  5. Mark Knopfler - We Can Get Wild (04:18)
  6. Mark Knopfler - Secondary Waltz (03:43)
  7. Mark Knopfler - Punish The Monkey (04:38)
  8. Mark Knopfler - Let It All Go (05:18)
  9. Mark Knopfler - Behind With The Rent (04:48)
  10. Mark Knopfler - The Fish And The Bird (03:45)
  11. Mark Knopfler - Madame Geneva's (03:59)
  12. Mark Knopfler - In The Sky (07:30)


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