Audio Engineering Society: Perceptual Audio coders: What to listen for CD Track Listing
Audio Engineering Society
Perceptual Audio coders: What to listen for (2001)
This misc cd contains 98 tracks and runs 55min 53sec.
Freedb: e50d1762
Buy: from Amazon.com
Category
: Music
Tags
: music songs tracks misc Test- Audio Engineering Society - Castanets original (00:09)
- Audio Engineering Society - Castanets Coded (00:09)
- Audio Engineering Society - Quartet Original (00:12)
- Audio Engineering Society - Quartet with aliasing introduced (00:12)
- Audio Engineering Society - Flute uncoded (00:20)
- Audio Engineering Society - Flute with a wavelet-filter of length 4 (00:19)
- Audio Engineering Society - Flute with a wavelet-filter of length 40 (00:19)
- Audio Engineering Society - Glocken original (00:10)
- Audio Engineering Society - Glocken lowpass-filtered at 12 kHz (00:09)
- Audio Engineering Society - Glocken lowpass-filtered at 8 kHz (00:09)
- Audio Engineering Society - Glocken lowpass-filtered at 4 kHz (00:10)
- Audio Engineering Society - Funky Original (00:09)
- Audio Engineering Society - Funky lowpass-filtered at 12 kHz (00:09)
- Audio Engineering Society - Funky lowpass-filtered at 8 kHz (00:09)
- Audio Engineering Society - Funky lowpass-filtered at 4 kHz (00:09)
- Audio Engineering Society - 440 Hz + 4 Harmonics (00:12)
- Audio Engineering Society - 440 Hz Hz without 1320 Hz tone (00:12)
- Audio Engineering Society - 440 Hz wiht time-varying 1320 Hz tone (00:12)
- Audio Engineering Society - Gilmour original (00:06)
- Audio Engineering Society - Gilmour slightly distorted decoded signal (00:06)
- Audio Engineering Society - Gilmour clearly distorted decoded signal (00:06)
- Audio Engineering Society - Gilmour severely distorted decoded signal (00:06)
- Audio Engineering Society - Gilmour original bandlimited to 8 kHz (00:06)
- Audio Engineering Society - Gilmour almost birdies free (00:06)
- Audio Engineering Society - Gilmour slightly worse decoded signal (00:06)
- Audio Engineering Society - Gilmour severealy distorted signal (00:06)
- Audio Engineering Society - Male speech Original (00:18)
- Audio Engineering Society - 2048 Filter Bank Bands, Processed (0 dB) (00:19)
- Audio Engineering Society - 2048 Filter Bank Bands, Processed (-3 dB) (00:19)
- Audio Engineering Society - 2048 Filter Bank Bands, Processed (-6 dB) (00:19)
- Audio Engineering Society - 2048 Filter Bank Bands, Processed (-9 dB) (00:19)
- Audio Engineering Society - 1024 Filter Bank Bands, Processed (0 dB) (00:19)
- Audio Engineering Society - 1024 Filter Bank Bands, Processed (-3 dB) (00:19)
- Audio Engineering Society - 1024 Filter Bank Bands, Processed (-6 dB) (00:19)
- Audio Engineering Society - 1024 Filter Bank Bands, Processed (-9 dB) (00:19)
- Audio Engineering Society - 512 Filter Bank Bands, Processed (0 dB) (00:19)
- Audio Engineering Society - 512 Filter Bank Bands, Processed (-3 dB) (00:19)
- Audio Engineering Society - 512 Filter Bank Bands, Processed (-6 dB) (00:19)
- Audio Engineering Society - 512 Filter Bank Bands, Processed (-9 dB) (00:19)
- Audio Engineering Society - 256 Filter Bank Bands, Processed (0 dB) (00:19)
- Audio Engineering Society - 256 Filter Bank Bands, Processed (-3 dB) (00:19)
- Audio Engineering Society - 256 Filter Bank Bands, Processed (-6 dB) (00:19)
- Audio Engineering Society - 256 Filter Bank Bands, Processed (-9 dB) (00:19)
- Audio Engineering Society - Male Speech Original (00:18)
- Audio Engineering Society - Coded with 1024 subbands (00:18)
- Audio Engineering Society - Probe in-phase, probe level 9 dB below masker (00:13)
- Audio Engineering Society - Probe in-phase, probe level 6 dB below masker (00:13)
- Audio Engineering Society - Probe out-phase, probe level 9 dB below masker (00:13)
- Audio Engineering Society - Probe in-phase, probe level 6 dB below masker (00:13)
- Audio Engineering Society - Original stereo applause sound exerpt (00:14)
- Audio Engineering Society - Intensity stereo coded starting from 6 kHz (00:14)
- Audio Engineering Society - Intensity stereo coded starting from 4 kHz (00:14)
- Audio Engineering Society - Intensity stereo coded starting from 2 kHz (00:14)
- Audio Engineering Society - Intensity stereo coded starting from 1 kHz (00:14)
- Audio Engineering Society - Original stereo funkky sound excerpt (00:17)
- Audio Engineering Society - Encoded/decoded, generation #1 (00:17)
- Audio Engineering Society - Encoded/decoded, generation #2 (00:17)
- Audio Engineering Society - Encoded/decoded, generation #3 (00:17)
- Audio Engineering Society - Encoded/decoded, generation #4 (00:17)
- Audio Engineering Society - Encoded/decoded, generation #5 (00:17)
- Audio Engineering Society - Encoded/decoded, generation #6 (00:17)
- Audio Engineering Society - Encoded/decoded, generation #7 (00:17)
- Audio Engineering Society - Encoded/decoded, generation #8 (00:17)
- Audio Engineering Society - Encoded/decoded, generation #9 (00:17)
- Audio Engineering Society - Encoded/decoded, generation #10 (00:17)
- Audio Engineering Society - Male speech original (00:10)
- Audio Engineering Society - Male speech Coded with 8-kHz sample rate (00:10)
- Audio Engineering Society - Female speech original (00:09)
- Audio Engineering Society - Female speech Coded with 8-kHz sample rate (00:09)
- Audio Engineering Society - Vocal Quartet Original (00:12)
- Audio Engineering Society - Vocal Quartet coded with 8-kHz sample rate (00:12)
- Audio Engineering Society - MusicA Original (00:11)
- Audio Engineering Society - MusicA Coded with 8-kHz sample rate (00:11)
- Audio Engineering Society - Music+speech mixed, Original (00:12)
- Audio Engineering Society - Music+speech mixed, coded with with 8-kHz sample rate (00:12)
- Audio Engineering Society - Male speech original (00:10)
- Audio Engineering Society - Male speech Coded with 16-kHz sample rate (00:10)
- Audio Engineering Society - Female speech original (00:08)
- Audio Engineering Society - Female speech Coded with 16-kHz sample rate (00:08)
- Audio Engineering Society - Vocal Quartet Original (00:12)
- Audio Engineering Society - Vocal Quartet Coded with 16-kHz sample rate (00:12)
- Audio Engineering Society - MusicA Original (00:11)
- Audio Engineering Society - MusicA Coded with 16-kHz sample rate (00:11)
- Audio Engineering Society - Music+speech mixed, original (00:12)
- Audio Engineering Society - Music+speech mixed, coded with 8-kHz sample rate (00:12)
- Audio Engineering Society - Fremal speech Original (00:21)
- Audio Engineering Society - Fremal speech bandpass filtered in the MPEG domain (00:21)
- Audio Engineering Society - Fremal speech bandpass filtered in the time domain (00:21)
- Audio Engineering Society - Fremal speech bandpass filtered using subband scaling (00:21)
- Audio Engineering Society - Fremal speech sampling rate conversion in the time domain (00:21)
- Audio Engineering Society - Fremal speech sampling rate conversion in the MPEG domain (00:21)
- Audio Engineering Society - Gilmour Original (01:23)
- Audio Engineering Society - Gilmour bandpass filtered in the MPEG domain (01:23)
- Audio Engineering Society - Gilmour bandpass filtered in the time domain (01:23)
- Audio Engineering Society - Gilmour bandpass filtered using subband scaling (01:23)
- Audio Engineering Society - Gilmour sampling rate conversion in the time domain (01:23)
- Audio Engineering Society - Gilmour sampling rate conversion in the MPEG domain (03:53)
- Audio Engineering Society - data (23:16)
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